fonts-ottilie
font for German Kurrent using thick curvy hand written-like letters
This proportional font resembles a recent version of the German Kurrent
cursive script from around 1900 and aims to look like a curvy handwriting
using a thick pen.
fonts-ebgaramond-initials
EB Garamond Initials OpenType fonts
EB Garamond is an open source project to create a revival of Claude Garamont’s
famous humanist typeface from the mid-16th century. This package contains
OpenType fonts.
fonts-ebgaramond-initials-extra
EB Garamond Initials TrueType and web fonts
EB Garamond is an open source project to create a revival of Claude Garamont’s
famous humanist typeface from the mid-16th century. This package contains
TrueType fonts (.ttf) and webfonts (.woff).
fonts-routed-gothic
Clean vintage drafting, avionics, routed signage, and keyboard legend font
A clean implementation of a common lettering style found on technical
drawings, engraved office signs, computer and typewriter keyboards, and
some comic books and avionics from the mid-20th century.
fonts-morisawa-bizud-gothic
Universal Design typeface Gothic fonts
BIZ UD Gothic is a universal design typeface designed to be easy to
read and ideal for education and business documentation. It is a highly
legible and well-balanced design sans serif. In order to make the kanji
more clear and identifiable, the letterforms are simplified by omitting
hane (hook) and geta (the vertical lines extending beyond horizontal
strokes at the bottom of kanji). Counters and other spaces are finely
adjusted so that the overall balance of the type is not impaired even
with the use in relatively large size. The kana are made slightly
smaller than the kanji to give a good rhythm and flow when setting long
texts in the lighter weights.
fonts-morisawa-bizud-mincho
Universal Design typeface Mincho fonts
BIZ UD Mincho is a universal design typeface designed to be easy to
read and ideal for education and business documentation. It is a highly
legible and well-balanced design sans serif. In order to make the kanji
more clear and identifiable, the letterforms are simplified by omitting
hane (hook) and geta (the vertical lines extending beyond horizontal
strokes at the bottom of kanji). Counters and other spaces are finely
adjusted so that the overall balance of the type is not impaired even
with the use in relatively large size. The kana are made slightly
smaller than the kanji to give a good rhythm and flow when setting long
texts in the lighter weights.