fonts-gotico-antiqua
15th century types between gothic and roman
Fifteen fonts and one set of initial letters draw from documents printed
between 1459 and 1482. Based on a current research programme at Atelier
national de recherche typographique (ANRT), which investigates the
period 1459-1482.
fonts-compagnon
typeface family composed of five distinctive styles
Font that finds its inspiration in the online archives of Typewriter Database
specimens and combines different periods of the history of typewriter
typefaces. Each weight is based on singular references relating to significant
periods aiming to underline the evolution of typewriter characters as they are
called.
fonts-jetbrains-mono
free and open-source typeface for developers
JetBrains Mono. A typeface for developers.
Features include:
- Increased height for a better reading experience
- Adapted to reading code
- 139 code-specific ligatures
- 145 languages
- 7 weights with matching italics
ttf-bpg-georgian-fonts
transitional dummy package
fonts-gfs-bodoni-classic
smart greek typeface revival
Giambattista Bodoni was the most prolific Italian typecutter of the
18th century. He was among the first European typecutters to move
away from the byzantine cursive tradition with the numerous ligatures
which was the norm until then. His Greek types influenced many
subsequent designers, yet they fell in disuse by the middle of the
19th century. GFS presented Bodoni's original Greek typeface in the
commemorative edition of Pindar's Olympian Odes (2004), in digital
version by George D. Matthiopoulos, and is now available for the
general public. In the OpenType features, under ligatures, one may
alternately use diphthongs with the accents placed in between the
characters, as Giambattista Bodoni did when setting greek texts.