disper
display switcher for attaching/detaching displays easily
No more headaches just before your presentation. Disper lets you add and
remove display devices at the press of a button. It detects what display
devices are attached at the moment, and configures the display output
automatically. You can specify whether to clone the output on all displays,
or to extend the desktop.
apertium-spa
Apertium single language data for Spanish
Data package providing Apertium language resources for Spanish.
python-tunigo
Python API for the browse feature of Spotify (Python 2)
This package allows for simple access to Tunigo's API. This is an API for
fetching featured playlists and new releases for Spotify. It supports featured
playlists, top playlists, new album releases and playlists for a range of
different genres.
elpa-faceup
Regression test system for font-lock
Emacs is capable of highlighting buffers based on language-specific
`font-lock' rules. This package, `faceup', makes it possible to
perform regression test for packages that provide font-lock rules.
The underlying idea is to convert text with highlights ("faces")
into a plain text representation using the Faceup markup language.
python3-tunigo
Python API for the browse feature of Spotify (Python 3)
This package allows for simple access to Tunigo's API. This is an API for
fetching featured playlists and new releases for Spotify. It supports featured
playlists, top playlists, new album releases and playlists for a range of
different genres.
fonts-gfs-olga
ancient Greek oblique font revival (companion to GFS Didot)
In Greece the terms italic and oblique have the same meaning since
they are borrowed from the latin typographic practice without any
real historical equivalent in Greek history. Until the end of the
19th century Greek typefaces were cut and cast independently, not as
members of a typefamily. The mechanisation of typecutting allowed the
transformation of upright Greek typefaces to oblique designs.
Nonetheless, the typesetting practice of a cursive Greek font to
complement an upright one did not survive the 19th century. The
experimental font GFS Olga (1995) attempts to revive this lost
tradition. The typeface was designed and digitised by George
Matthiopoulos, based on the historical Porson Greek type (1803) with
the intention to be the companion of the upright GFS Didot font
whenever there is a need for an italic alternative.